Some serious rain action yesterday...so time to fill the remaining grey cells up with some more photo waffle...but this time video. So a day spent on youtube, adobe tv and vimeo getting my head around frame rates shooting modes and the like, not only getting a proper understanding of the Nikon D750s video capabilities but also what can be done with Lightroom and Photoshop...well quite a lot it seems..it may also mean stuffing another 8gb of ram into the 'puters nethers but we'll see how it goes.
So if you are my frequent visitor...well done btw....you'll know I have a penchant for trying to capture motion in a still image..so ...how about capturing motion in a moving subject...yeh I know...finally cracked...I know where I want to go with this so let me fumble and bumble my way through this first date, develop a steady relationship and then see it all blow up in my face after yet another minor indiscretion...we've all been there 
So the image above is a test piece , just 4 layers..lightroom to Photoshop to here, let's hope the rain stays away for a while so I can get serious with this or I may get distracted by the likes of youtube and adobe tv and who knows where that will lead to.

...not like Kylie of course but underneath the dome of The Trafford Centre parked on the outer edges of Manchester. Having a poke around in to all my hard drives with a big feather duster and brush and dustpan binning unusable files as i go...1000's destined for digital heaven. 
Anyhow this is a stack of 15 images shot with a 20mm on the D750 as I gently shuffle rotated underneath the Dome of Retail Joy....
The space opened up on all the drives will hopefully give the scratch disks a bit more ooomph when used with Photoshop, bumped up the Ram to 16gb as well in preparation  for this coming winters image processing winter sojourn...next up animated Gifs  

Fete weekend but someone forgot to book the right kind of weather..so the outdoor Portrait Studio had it's own little gazebo although the wind meant it had to be tied down to 2 cars....Breezy.
So it was a simple set up, Yonguo 568 11 with a Yongnuo wireless trigger set up shooting through a white brolly..with the camera on manual at 200 iso and  F5.6 at 1/250th using a Nikon 70-200 F4 on a Nikon D750 shooting tethered into Lightroom. HSS used to kill any of the overcast fuggy drizzly ambient light, Flash above head height just off to the left facing downwards..giving a hint of Rembrandt shadowing across the face.
The laptop was set up in front of the sitters so they had an instant view of what the wacky english bloke was up to...had a rowing boat chain and anchor to hold down the flash stand as the wind was whistling at this time....eeeeehhhmmm black sheet as a backdrop and as a novelty for me...Autofocus on...I know....autofocus....
So here is a selection of images of the good folk of Kernevez, a weekend of food, drink, breton singing and some bloke with a flashgun , a camera  and a boat anchor..

At this moment in time I should be outside with the rest of the Villagers doing a bit of French Chuckle brothering 'A moi ...a vous'...with the Marquees for this weekends Village Fete, so some of us will be up at 6 in the morning getting them up and striking a lot of damp matches getting the barbeque flaming in time to get this little pig the send off it deserves...meh....it really is raining, this is Monts d'Arree rain, it takes no prisoners and laughs at the challenge of a parapluie ...and the forecast is even worse for Saturday..still I've copied  and printed village maps, old photos blown them all up to A3+ and with the help of the current wife have white painted boards and attached aforementioned printed items to them, even set up the Photo Booth with added tethered shooting into Lightroom  so folk get to see what their rictus gurning appears to other folk, before relaxing and /or laughing at themselves as I  catch some quick unguarded moments...then scuttle off to print them...so all set up , what to do????
I know , I'll have a trawl through some long forgotten Hard Drives and have a concerted faff so...here are some never before seen snaps from the coast at Blackpool...exported as layers from Lightroom Into Photoshop ..a wiffle of Photoshop flim flam and done...no, I'm not here to waffle along in Photoshop  bollocks today, just  working out which one of the Chuckle brothers is me and which one is my 'voisin, Serge.

Like an ageing Rockstar or a Boy band devoid of boyishness but blessed with a huge back catalogue of hits, it's often good to get a reminder of your finest moments, even better if these materialise as hard sales...okay downloads these days but there are those of us who remember sending off a package of Kodachrome slides to image libraries, checking the post for statements/ rejections/ a package of kodachromes, well thumbed but in the 'Not needed on this Voyage' category.
So I have my greatest hits, Images that sell and then sell again...now I'm not talking micro stock...I have one image that has it's own life on microstock, fluttering about being downloaded but when the downloads cost about 0.05 cents it's really not worth mentioning (I know...I just have...)
​So the image above and the one below have been licensed throughout the western World , different areas and for different lengths of time, mainly for book covers,,,now I've been told that I need to do more images in this style...suprisingly I have agreed, but whether they will appear on this website....well they will have to topple the  2 greatest hits  images from their singular lofty perch...that will depend on me, the boyish ageing rockstar of photography being around long enough to wistfully remember what constitutes one of my greatest hits

So many flowers in the garden at the moment, the one above is a surviving member of the Lupin horde that got walloped by the swirling storm/rain that hit western europe in early June, of course since then we've had exotically high temperature and extended daytime sunlight hours....followed inevitably  by this return to 12c and swirling rain...summer..it was great while it lasted.
Lots of new flowers coming into bloom... Inula, Hollyhocks..many varied strains of Hortensias, Helianthus, Echinacea, Rudbeckia...the list goes on...all will receive the treatment..and of course all the 'Fleurs Sauvage' as well so a great TFI friday to one and all..

It's an unbirthday day out in search of Butterflies.... not as many as last year and I think the cold snap at the end of April has a lot to do with it, Orange Tips , Brimstones and Painted Ladies before then but since...nada. So at the Abbeye de Daoulas to see if there are any there...nope...so trying a 2X convertor on the 70-200 and shooting around 1/1000th I busied my self shooting gobets of water from a fountain...and this is a few of them...not sure if the autofocus is working correctly so may have a fiddle about to adjust it...seems a nadgers do dah off...any how read into these what you want. (I know...autofocus but at 400mm my bins need a leg up)

Well I'd never call myself a 'wildlife photographer', there are too many good ones out there but we've created quite a few different 'natural' environments here which gives me the opportunity to graze my knees and get down with the Bug Life.
Butterflies thin on the ground and I've given up chasing after the European and Asian Hornets that like a wee dram of Aphid secretion to boost their day.
​Good news is that he butterflies are back now we have this scorching spell of weather, Swallowtails and all manner of ones I can't seem to identify from the books...here's hoping i get a 'Citron de Provence flapping through like last year...only this time I'll have a camera locked and loaded.

Always wanted to call in to this place and as the ferry back to europe was a late evening crossing turned right off the M6 and went for a look.
Must be chaotic in summer/visitor time ...all the museums are spread out through the valley connected by narrow roads with stonking great tour buses navigating their way through it all....still did it ....
So this is 10 shots using the 20mm Nikkor at f4.5 iso 400 on the D750 shooting RAW, basic corrections in LR then opened as a layer stack in Photoshop top 9 selected and the opacity dropped to 30%...no blend modes again...mono in Photoshop and then saved back as a PSD into LR with a bit of painted in Clarity and a tweak of contrast and highlight recovery.... here's a couple more 

A couple of days in Dinan with the town itself in full thrall of the international tourism brigade. Mr Juncker may have passed comment that English is dying out in Europe but in this small corner all the gift shops and restaurants use it as their lingua franca, maybe it will change in a couple of years.....
​Anyhow the Iconic Citroen Traction, this fine example is on it's way from the Channel Islands to the Hills of Holland rally tootling as you do, around Maastricht. So having the opportunity to do a photo essay of one in the dribbly mizzle...I did...as ever at the moment quite wide open Nikon 50mm f1.8 and the D750 with a bit of crunch added in Lightroom with a hoick on the clarity slider.

 The Trafford Centre, mausoleum to shopping,  it's many avenues of retail despair. Not forgetting the many waistcoated and blazered 'security' staff ready to herd you off the property if caught snapping. Fact of the day...The Trafford Centre used up all the available Gold leaf from the UK in it's construction to give it's columns, statues and domes the 'blingtastic' feel. So the image above is a layer stack of these below...Lightroom >edit>open as layers in photoshop >align>opacity....set the opacity of all the layers to 30% or there abouts.....no blend modes and just a bit of sharpening using high pass filter on a desaturated duplicate layer...time to stop as I'm drifting off into Photoshop bollocks...

First blog post of many over the next week, been out and about across the UK and here in France. These shots are from the Sandbach festival at the end of April...a bit of transport and bit of funfair but mostly with a 50mm F1.8.

So I've been Spinning around like Kylie at the Trafford Centre, reanimating the spirit of Maigret with a 2CV , abstracting motion at Ironbridge and dissecting Dinan in a non touristy way, just putting some miles onto this new shutter in the D750... demain mes amis.

I did mention that I was having a waft with some gels over the LED, so still in practice mode...Moonlight a bit too strong to get the stars popping but if you want to give it a try these are the camera settings.
​Nikon D750 with a Nikkor 20mm, shooting Raw with iso 200, f 4.5 for 20 seconds...so you can see the moon was quite bright...camera on timer sitting on a tripod so I could get into the polytunnel...3 shots one for the ambient, one for the interior and one for the non gelled light outside...layer stack in Photoshop and just masked in/out the relevant bits...'where does it go from here...is it down to the lake I fear' (yep more obscure '80's pop, there's a clue in the blog title).....so to Huelgoat and the Trout lake...

...not sure what was more wooden, Nicholas Cage or his prosthetic hand..enough of these '80s film references. Now last week I was out with  some LED torches wafting away under les etoiles looking for some kind of exposure balance. So first starry night this week coincides with a bit of Moonlight, half a full moon, it could be more, it could be a little less...anyhow no clouds. So I'd done some work with Gels up at the Polytunnel and thought I'd see what shooting with Moonlight would look like. So usual camera set up. D750, Nikon 20mm set at 800 iso, f4.5 for 30 seconds, ...now I know that 30 secs is too long to hold the stars sharp...20 would probably do it and to reduce the iso I could wiffle about with the aperture or shutter speed but this was just to check out what half power moonlight could do. Looks like there is a bit of compression going on in the sky so I have loaded a higher resolution image...enough of this Lunacy...capice!

....like a circle in a spiral, like a ...anyway nothing to scare the horses or give any genteel snappers out there the vapours with this one....now in it's most basic form this is a stack of 6 images, shot in manual, whilst circling a Palm tree at the Jardin Exotique at Roscoff on Sunday, images loaded into Lightroom , lens correct and a minor tweak including a crunch of clarity, then loaded as a layer stack into Photoshop. Now as this is a stack of 6, I selected the top 5, reduced the opacity of them to 30% and with a few more tweaks and Photoshop gymnastics ended up here. Northern hemisphere Europe has lots of trees/shrubs in full blossom at the moment so give it a whizz...btw...did you notice there was no mention of blend modes.. have some fun with it and remember......

​Like a circle in a spiral, like a wheel within a wheel
Never ending or beginning on an ever spinning reel
As the images unwind, like the circles that you find in 
The windmills of your mind!

Up on the north Brittany coast at  Le Diben scouting locations for night time or Pinhole shots, so no kit bag just the D750 and 20mm f2.8 to keep me company. Now I had promised myself there would be no faffing or photo jiggery pokery, just some straight shots to see if the location would fit in to how I see this project going.........anyway.... I stood there, and it was a wee bit wafty and breezy and I could see the clouds were scudding along at a rate of knots....so I started thinking..always dangerous.
So this (or these, as I have done a few) is standing still, trying to keep the framing as still as possible,camera on manual 1/1600 at f6.3 iso 200 and taking a shot every 10 seconds or so. Now truth be told I was thinking of aligning these as layers in Photoshop so any movement would be negated...but.. I opened them as a layer stack from Lightroom into Photoshop, selected the top 9 of the 10 image layer stack and changed the blend mode to LIGHTEN...and that's that....I think this technique has some legs in torch lit portraits(!!!!????) ...more later... anyways a bit of detail from the image to show you it close up

This image doesn't give you a feel for the scale of the rocky outcrops here but it's all on a grand scale and down in the harbour there was some broken concrete mussel pens that look a dead cert for a bit of torch wafting....laters..

We live in a 'Dark Skies' area here in Central Brittany, there are a few street lamps in our nearest village, well when they can be bothered to switch them on, so when the sky is clear you get to see  a rather spectacular starscape. Now as I have set myself the challenge of mastering light painting with both torchlight and flash/strobes., this week it will be torch power.
​ Now as it's a learning process for me I might as well pass on some basic settings to you.  Camera is set up as follows.. Nikon D750 (including it's brand spanking new shutter), the highest quality RAW file, Nikon 20mm f2.8 set at F4.5, iso 200 and with a 30 second exposure time, noise reduction applied in camera which will delay the image appearing on the camera screen by about 30 seconds.  This is 3 exposures, one for the ambient, one for the main building (ma maison) and one to twiddle in the bits missed, all loaded into Lightroom for some lens correction and then opened as a layer stack in Photoshop, masked faffed and saved back into Lightroom for some perspective control and some clarity painted into the sky to 'pop' the stars. 
So I used no colour gels on the torch but I'm just getting used to a standardised group of settings before the real creative stuff can bob to the front of the queue. Going to switch off the in camera noise reduction and use my Yongnuo strobe trigger on camera as it has an auto focus grid pattern that it throws out to assist the autofocus in the pitch black, which should be better than me , torch in one hand trying to fathom out what is in or out...
Now 30 seconds shows up a small amount of movement in the stars and if you google astro photography there are plenty of formulae out there to work out your max exposure time /focal length combination to freeze star movement. Now then I'm already looking at very high flash sync to kill ambient light in daylight conditions...but I'll get these techniques nailed first..

If you are from the UK,GB or as it will be known after Brexit..Billy-no-mates...news reports often use Wales as an analogous construct so folk can get their heads around how big say..... a forest fire is, or maybe an oil slick or how big one of 'The Donalds' eastern european golf/hotel resorts is going to be after impeachment...anyhow..projects need planning, clear thought, objectives and clarity as well as knowledge of what gear would be needed to fulfil the quest, I'm scoring one out of five at the moment.
Lets swing it back to the Wales thing...Brittany, just Brittany on it's own is BIGGER than Wales,,it has 2,860 km of coastline.... Wales has 2,250 just to give you an idea...although if you go to Landerneau you will find Caernarfon Bridge.... those monks used to get everywhere. Now why am I telling you this???..no seriously...ah yes this year it seems I have challenged myself to do some  projects, where by the thinnest of threads , images will hang together to form a narrative from which you, my dear viewer, will draw together the subjective nature of things, join me in my visual quest or deem it as a bag of old pants dressed up as the Emperor's new clothes. It will involve a lot of trekking around Brittany an area apparently, a similar size to Wales.
So this is what is on the agenda
10 x 8 Direct Positive paper Pinhole mono images...they're in my head as i've already seen them so 3 set projects of about 40 images each
Light painting with flash guns and / or torches ...so many abandoned things...so many Menhirs
Polaroid...nothing specific but is it the medium, the way in which the image is presented or is there a way of bending the Polaroid to represent the way I see things (absolutely no idea of subject but all the gear/film is sitting in the office waiting pensively)
...and do you know what...not for this year...but oh my, I keep going onto ebay and looking at Hasselblad Xpans ...need Getty to pull their finger out and flog more files before that happens...
​Anyway here are a few images that form part of my sketch book for the basis of some light painting. Out on the Crozon peninsula in Western Brittany.

Bonjour, bonsoir and hello, I know , it's been quiet on the blog front, doesn't mean that nothing has been going on

The Search for the Direct Positive Paper..
Imagine the horror of finding out that after months of planning, budgeting and procrastination that the paper of choice for aforementioned pinhole project suddenly becomes 'unavailable'. I emailed Ilford and got the reply that. errr  we're not sure when it will be back for sale...panic based google searching then got me to America where I located some  only to collapse from the vapours when the tax and import duties were added on...okay it remained an option...then delving for what seemed like an interminable 10 minutes or so I found a little lab in France that had some, right price and could get it to me toot sweet!!! So I snaffled the lot....just need to properly black out the office/(ahem) studio and procrastinate for a while and it will all be sorted.

Nikon!!!!!!
Okay, the figures are out there, in a bit of a poopy place financially, well make properly engineered camera bodies that don't need to be recalled (TWICE) and you might get some cash back in the corporate sock drawer. So free postage D750 goes back to Nikon, good communications , free repair with a new shutter system...and I waited....2 weeks I waited....so I emailed them and apparently it was sent back to me but there was no one in...hmmmm...I know my postman Dominique and next time I saw him asked if he had a package that had to be signed for but found we were out....NON and then surprisingly the camera arrived the following day..delivered without the need for a signature....now dear reader you may at this point want to roll your eyes and wonder if there is anything that can be gleaned from this.....well
Sent off my D700 body to Nikon repairs as I have an event where I need to do some tethered shooting and the usb connector, a bit like me, has some wonky teeth....off it goes I tracked the camera through La Poste they got it on the 9th of March....and I waited......so after 10 days I contacted them only to be told that I had been sent a Pdf of costings and they were waiting on my reply...you know...that email arrived in my inbox an hour after I contacted them...funny eh!!!! Well not that funny as it was nearly 300 euros to just fix the connector...er non merci. Now then ...Nikon...one way of keeping your long time customers happy and with half an eye on them buying more stuff that will get infrequent use is not to piss them off with lacklustre customer service, I have history of this as 'back in the day' I worked at Jessops and my task was checking in all the bent, dropped and fiddled with camera gear and sending it back to the right place to get repaired...I more often than not sent Nikon gear to independent repairers as I knew it would get back to me quicker... is it too late to change to Fuji....
One last point...if you buy some top grade very lightly used photo gear off of that ebay... just leave some feedback...even if it's only 'well packaged'  or something or xxx , as I have been finding homes for lenses that sit in their boxes rather than get any vigorous usage it would be  nice if just one of the recipients could have found the time for a bit of acknowledgement ...because the last thing you need is some procrastinating grey haired old cheeser writing about it on their blog post......


​Anyway I've been doing a lot of painting recently...one of Trevarez just south of us near Chateaux neuf....